Always and eternally. Hedda feels trapped by the prospect of normality. With George occupied with yet another paper on robotic ants and his dowdy sister Julia fussing over the prospect of aunthood, Hedda naturally tries to make things more interesting.
Attempting to gain power over others though leaves her caught between three men. But Anna Mackmin's very good production is marred by the tendency of Brian Friel's new version to spell out things Ibsen left implicit.
Quentin Letts for The Daily Mail. The great Irish dramatist Brian Friel is responsible for the new version and he takes some small but significant liberties with Ibsen's text and adds quite a few fresh ideas of his own But the productions real strength is top flight cast led by the superb Sheridan Smith in the title role. To get the latest news, reviews, interviews, new show alerts and ticket offers, sign up to our weekly newsletter.
Skip to main content. Learn More. Hedda Gabler - Old Vic Hedda Gabler - Review Old Vic Our critics rating:. The story is rather simple in its way, yet it reveals layer after layer of complexity based on the past, current circumstance and expectations of the future.
Hedda is at times a lonely victim of circumstance, at others a manipulative, cruel and vindictive contrivance of a woman. Hedda Gabler is a fantastically dynamic lead role and you feel both sympathy and aversion to her at the same time. This production at The Old Vic showcases this wonderful play with finesse. The set is simply stunning, beautiful in every way — the glass, the furnishings, the costumes, the flowers all so aesthetic and lavish.
The stage direction also lends itself perfectly and seamlessly to the story. Whilst the events take place in one house, the movement flows through the set and brings some energy to the unfolding drama. There is no expense spared on this set and it is credit to Mark Henderson lighting and Lez Brotherson designer as the atmosphere created is elegant and resplendent.
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